Happy to be sad

I had become wary of building my writerly career online, because of a sense of the ephemerality of the online world - load shedding in South Africa is a reminder of the tenuousness of electrical power; during the 'dark hours' (which can happen at any time during the day) one is obliged to turn to the tangible world for activities, duties and amusement, and there is much reassurance to be derived from going for a walk or taking a rest, because there is simply nothing else to do at a particular moment. Of course, there are always dishes; and perhaps one browses through a forgotten book and finds phrases and fragrances beyond the reach of the internet.

The second, more complex, reason I sidelined the supposed career, which I was building in my imagination, is that my elderly parents became increasingly needy, and I simultaneously said yes to a new love relationship. I was thus obliged to choose between paying attention to my 'career' or to real human beings and it seemed unethical to prioritise the former, as it is a vanity, while my parents, and my beloved, are irrefutable.

And so I neglected my online writerly presence and productivity. The decision to do so has lost me much energy, as there is little that refuels my soul as effectively as when I release my poetry and feminine philosophy into the unknown currents that run the worldwide web. It turns out that supervising my parents' combined wilting as compassionately as possible saps my life force in the extreme. Not infrequently, I have felt the need to die in advance of them, in order to show the way - a mood, which it would shock them to know I experience, if they had the presence of mind to know it, which is a presence they do not, fortunately however, have. 

I have been in shock, though, for the past three years - ever since leaving Hogsback, arriving on the Garden Route and covid lockdown slamming the brakes on any forward movement. I have, I realise, lived in a state of shame about the unutterable sadness of my life. A shame, which, on learning that I am once more forced to move house - the third move in three years - has suddenly left me, and lifted me up, this spring, to the joys of complaining unrestrainedly. I am pushed beyond endurance! Praise be to complaint! And praise be to my beloved, who endures it, and you, my reader, if you are here. I need no comfort other than to utter what saps and uses my loving, giving heart beyond her limits.

So it could be that complaining may yet help me to prevail. Thus, this blogpost is a preliminary blub and my online writerly presence resumes in a spirit of watery melancholy. 

In short, I am happy to be sad.

The cross

It was at one of John Homewood's talks that I first encountered the figure of the cross as a living articulation between our breath and time itself. 

The timeline of our lives creates the horizontal axis of the cross, made up – if you jot down the events of your life – of the buzz and chaos, with its joys and trials, of every human’s count of days on earth. 

When I inspect my own timeline, I have to admit that it’s a pretty ragged thread of sorrows and misfortunes. Until recently, I was embarrassed by the fact that, in terms of actual incidents, my life seems to be peppered by what most of us would, I guess, call misfortune, bad luck and sorrow. I’ve lost that embarrassment as a result of chronologically listing the basic events of my circumstances, and then reflecting on what endures, as follows. 

During a materially comfortable childhood, I witnessed harsh human dissent and loss of self-control as a given.

My family moved to South Africa, where we lived literally on the edge of a military zone called Voortrekkerhoogte (now Thaba Tshwane). The State at that time promoted and defended racist practices by policy, causing my father to declare that he would be quite content if my sisters and I failed Afrikaans at school – that seemed to be the way he felt he could best contribute to the anti-Apartheid struggle. Friends and boyfriends were conscripted and suffered abuse and violence on all levels.

I left home, and experienced armed soldiers searching my room, friends being sjambokked by police, a pregnant lecturer imprisoned without trial. I taught in violent townships, and in tiny sanctuary spaces offered to township children. I lost my sanity, benefited from the balm of therapy.

Mandela was released and the New South Africa came into being.

I married and experienced the gift of motherhood. My husband and I were economically on the margins, however, to save money I did not eat properly, suffered from overwork, broke down and succumbed again to mental illness, from which, again, I managed to recover. My husband was unwilling to continue the marriage and eventually we divorced.

My second marriage gave me deep spiritual fulfilment, my husband and I published many poetry books together, but he was frail, his failing health was ever a shadow over us. Economic pressure was a constant, he carried much debt.

Then my fit, nimble mother suffered a stroke and was consigned to total physical helplessness. My sister lost her sanity, and my beloved husband died.

I published two poetry books solo.

I was required to sell my late husband's house and leave the village that had become my home. At the same time, Trump was making headlines with his tweets.

I was lucky in love and did not have to move alone. Within weeks of our move, Covid and hard lockdown razed human lives and economies. I lost work and marketing opportunities for my new book. Friends and family fell ill.

My father’s memory began to fail and he was diagnosed with Alzheimer’s, requiring me to run my parents’ household and take responsibility for their daily needs and overall care.

War continued to ruin the beauty of the Middle East.

My sister is currently in a mental institution and I am praying constantly for her. My Beloved’s heart has urged him to leave me for crucial time to himself – whether temporarily or forever is uncertain.

Russia has invaded Ukraine and I hear alternatingly tragic and hopeful details of the victims from friends who have connections there.

So much for the horizontal axis of my personal cross in a broad sweep – living such a timeline is great training in patience, I’ll say that much. And patience – please consider this carefully – does not mean simply waiting for undesirable situations to pass. Patience is the active (gracious) carrying of an unwanted load towards its end. It’s notable that, except for love and marriage, motherhood, the recovery from my illnesses, and the activities of teaching and poetry publishing, none of the other events on my timeline were chosen by me! I couldn’t have asked for a better, or harder, school than this life to teach me a little graciousness.

I wonder, if you were to make a list of events on YOUR timeline, what the ratio of chosen to unchosen would be. How would you rate YOUR ability to carry unwanted burdens?

♥

Now for the vertical axis – the one, which, I recall John Homewood observing, you plumb when you stop focusing on the “school”, that milling chaos called ‘the wheel of life’. I tried to outline it in poem form –

The vertical axis of my cross

is prayer, my heart –

vessel of joy,

 

my pen standing up

for me in spite of trouble,

noting my small noticings –

 

fine sword of God, ensuring anchorage

in places

of peace.

 

Thus, I write

of deer, of dew, of weather and birds –

they are my breath,

 

preserving me, wrapped

in Christ’s playful smile,

on my cross.

 ♥

The loveliest insight, for me, which the above reflections yield is that my chosen, voluntary WORK – my writing (published and unpublished) and my visual art – by and large expresses not the vicissitudes of my timeline, but the spiritual anchor of my self in the vertical axis. I realise that my life’s work, mainly my artistic output, has never not been first and foremost a spiritual path and practice.

All of what I have done and continue to do is subordinate to the naked flame that has steadily been alchemising my soul beyond the edge of time. 

♥ 

As for you – I’d be curious to hear where you feel the ‘vertical axis’ on your cross breathes most freely.

 ♥

You don't have a choice from where you aren't

That's the small print.

Choice is always only as wide, or narrow, as the radius you give yourself.

For example - what image do I choose to accompany this post? A photo of a fork in the road? A deliberating human head with their chin in their hand? A cartoon face with question marks over it?

No.

None of the above-mentioned images come naturally to me, as companions to my theme. I aren't there, so to speak.

This glass egg, however, was right under my nose on my desk. I could pick it up and snap it with my phone. It caught the light as I could never have predicted.

And so, a post, which began with but a solitary sentence, unfolded richly into its immediate surroundings to share with you.

Yes, there is now. But also - don't underestimate the power of right here: where YOU ARE.

 

Paradiso - a chosen boundary

In order to maintain perspective (stay grounded) during the build-up to my book launch, I decided to volunteer as a guide on the garden tours over the recent Spring Festival in Hogsback.

I received a morning's training from experienced guides, who included a retired professor of Botany. I was introduced to the lilt of new words - Lyriodendron (for the primitive Tulip tree); Karumi (the Japanese azalea); Tilopia (previously Warrister - for a remarkable Australian protea).

The unknown inevitably visits upon you foreign vocabulary, for you to get your tongue around, extending the horizons of your imagination, both inward and out. But known vocab, too, has hidden crannies.

Etymologically speaking, Paradiso is 'a royal, enclosed park'. A place of safety, a haven: boundaried, a space, which by definition defends your peace.

Biblically speaking, however, it is a place of temptation: a place that offers you the privilege of choice.

Paradiso is, in the Christian heritage, the earth - whose plants and creatures we can choose to care for, such that we may serve thereby the survival and health of our bodies and souls. Or not.

Many have chosen to leave the place of peace. Individuals such as I marked in my previous blog, who transgress against the principle of loving care, are a case in point.

Many, however, have chosen to say yes, to take responsibility. It has been my privilege to walk through the living stories of labouring love, which Hogsback's show gardens are witness to.

The moment you choose

There comes a time when you know
you're straddling
the stratosphere
and it's no longer a metaphor,
but real, hard fact

of your heart pulled
from end to end
between organic and elemental matter
and its happenings, and

you know this time
of the ancestral ringings
in your flesh and bone,
the marrow of your innings, the chance

you're given
now
to play, to spin, to curl
the thrust of your imagination

yonder all imaginings,
beyond all thought,
beyond the now

to rake in
all the past and present

in the roulette you never played
but knew
you were the ball in -

hammered, hit, bet on
by everyone's turning
to rest

into the moment
you choose.