The adventure with my book continues. Flow (Poetree Publications) is busy proofreading it and Mike (Max Design) is working on a cover, a draft of which a few of my private readers have already shown thumbs-ups to: thank you.
Books are written, printed, published, launched, marketed, sold and, alas, pulped every day. Millions upon millions of them. Written, printed, published, launched, etc.etc.etc.
Only one of those millions upon millions is my book.
Only one.
At last.
Certainly no one can accuse me of speeding.
Silke is a poet and prose writer who shares her journey through the power of words
Showing posts with label the writing process. Show all posts
Showing posts with label the writing process. Show all posts
Wednesday, 22 May 2019
Thursday, 9 May 2019
The secret of the writerly gift
The secret of the writerly gift is the ongoing inner alivenesses - your responsiveness to what comes at you from the external world, and your particular ability to calibrate this with your inner world. That dynamic constitutes the adventure of your heart and soul as they are embodied, briefly, in the span that makes up your life. In essence, your gift is the ability to ride the scythe of death - each living, passing moment is marked, memorialised in words strewn about it like flowers upon a fresh grave.
Tuesday, 2 April 2019
Tuesday tidy-up by Tortoise
There is a calm. Pleasant and unfamiliar.
I've revised my Timeline at the end of my book; applied the changes suggested by one of my beady-eyed editors; and emailed the other editors saying I need their final input by mid-April, so the proofreader has enough time to work his miracles before I submit the manuscript to PoeTree.
In all my years as a writer (I made a start in 1974) I've never published anything in this way before: I have no solo publication with an ISBN number, nor anything loaded on Amazon.
I breathe a sigh of relief at my vegetative slowness: I like myself being this late. It is wonderful being a slow developer. My disappointments, failures, resentments, frustrations, hopelessnesses, madnesses, despairs, depressions, manias and resignations have made the most extraordinary compost: it is soft and warm with my failures, my traumas, my giving-upnesses over and over again, having to gather my broken bones and reconstruct my self and my life.
Upon this compost of psychic energy I am now carried forward - by the force of my own shit, you could say ... transformed over the decades into a mysterious source of quiet, something is happening, which I've been dreaming almost since birth. Or before. Who knows?
I am producing a 'real' book. A book with an ISBN number, which I will market properly and make available to online buyers.
This is truly nothing special. The book industry is a zillion ants in their antheaps, and there are only so many ant-eaters about to devour them.
And yet, like the birth of any living baby, my book has its own bright star. As it currently stands, there are 238 poems carrying the narrative - the journey with my husband to his death and beyond. The poems are like 238 survivors of the 1000 eggs the Tortoise I am has laid in the sand over the past 20 months, with the patient sun of time now finally close to hatching them.
I am grateful. Keeping close to earth.
I've revised my Timeline at the end of my book; applied the changes suggested by one of my beady-eyed editors; and emailed the other editors saying I need their final input by mid-April, so the proofreader has enough time to work his miracles before I submit the manuscript to PoeTree.
In all my years as a writer (I made a start in 1974) I've never published anything in this way before: I have no solo publication with an ISBN number, nor anything loaded on Amazon.
I breathe a sigh of relief at my vegetative slowness: I like myself being this late. It is wonderful being a slow developer. My disappointments, failures, resentments, frustrations, hopelessnesses, madnesses, despairs, depressions, manias and resignations have made the most extraordinary compost: it is soft and warm with my failures, my traumas, my giving-upnesses over and over again, having to gather my broken bones and reconstruct my self and my life.
Upon this compost of psychic energy I am now carried forward - by the force of my own shit, you could say ... transformed over the decades into a mysterious source of quiet, something is happening, which I've been dreaming almost since birth. Or before. Who knows?
I am producing a 'real' book. A book with an ISBN number, which I will market properly and make available to online buyers.
This is truly nothing special. The book industry is a zillion ants in their antheaps, and there are only so many ant-eaters about to devour them.
And yet, like the birth of any living baby, my book has its own bright star. As it currently stands, there are 238 poems carrying the narrative - the journey with my husband to his death and beyond. The poems are like 238 survivors of the 1000 eggs the Tortoise I am has laid in the sand over the past 20 months, with the patient sun of time now finally close to hatching them.
I am grateful. Keeping close to earth.
| Photo: Silke Heiss |
Tuesday, 5 February 2019
Slowly galumphing ...
Greater Matter is slowly galumphing its way into the world. I'm onto the fourth draft of Sacred Space, which is the third section of the book. And I even managed to get the Contents Pages for Sections 1 and 2 done the other day! 54 pages, thus far ... though I spaced the poems more in Section 2 ... not sure it'll stay that way ...
Anyway, here's a poem from Sacred Space, a section which records the story of the singular adventure of Norman's wake -
Anyway, here's a poem from Sacred Space, a section which records the story of the singular adventure of Norman's wake -
Wrack of sobs
Forced
back home the day after you die in my arms
because
our house has been burgled –
en
route must pull over, stop the car
for
sobs so strong
they’d
crack my skull on the steering wheel
were
I not at the same time catching my head –
wracked
this way I feel
the
elemental Force of Love
thrusting
me each time
helpfully
forward.
- from Sacred Space, Section 3 of Greater Matter
And here - I'm so proud - writing down the page numbers. What a slog.
Wednesday, 16 January 2019
Friday, 14 December 2018
BIG MOMENT: the quiet, happy birth of my Heffalump
I have sent Section 8 of Greater Matter to my readers. Here is the title poem for it - Blood in Ink (previously published in the latest Ecca book, Throw in your Song).
Now to incorporating my readers' feedback to create a sleeker or at any rate fully mobile fourth draft, while also stepping away from my book to face it with my head in editing mode. A kind of freedom. The heffalump is born. Now to learn to ride her.
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| From Throw in your Song, Ecca Poets, Hogsback, 2018, p.40 |
Monday, 10 December 2018
The third draft of the second-last section of Greater Matter is with my readers.
Step by step I climb my Heffalump. Minnesinging is the penultimate section, confronting the socially disturbing presence of the single woman. And the question that burns differently for every widowed creature: where to with love when your loved one dies?
Sunday, 21 October 2018
Philosophy in loins
Philosophy in loins
My letters, these days, step
at times not in terrain
I've been -
barefoot, plain
they point
almost away from poetry -
take a train of thought
beyond space-time,
capsuled into stillness
- like a liner on the horizon,
suspended on eternity's curve,
steadily joins the dots
plotting her journey
into wisdom's harbour:
where brown and blue eyes meet
by a philosophy in loins
of sky and earth
and all the forms of water -
wild, and sweetly bowered.
- Silke Heiss, October 2018
My letters, these days, step
at times not in terrain
I've been -
barefoot, plain
they point
almost away from poetry -
take a train of thought
beyond space-time,
capsuled into stillness
- like a liner on the horizon,
suspended on eternity's curve,
steadily joins the dots
plotting her journey
into wisdom's harbour:
where brown and blue eyes meet
by a philosophy in loins
of sky and earth
and all the forms of water -
wild, and sweetly bowered.
- Silke Heiss, October 2018
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