Showing posts with label peace. Show all posts
Showing posts with label peace. Show all posts

Saturday, 1 November 2025

The road to nakedness

My recent attendance at some of the online interviews and discussions at the Collective Trauma Summit taught me a new vocabulary to comprehend trauma on a variety of levels. Above all, it made me realise that I am far from alone in my attitudes towards grief, the environment, and war.

A dominant theme that was articulated repeatedly was that we need to learn to feel each other at an emotional level, in order to create and sustain a lived awareness of interconnectivity with one another, all life on earth, and, indeed, the cosmos. For, life, when it is hurt, is cold, distant, and repetitive in endless hamster-wheeling cycles. And who wants that?

The conversation between summit organiser Thomas Hübl and climate grief expert Britt Wray confirmed that humans, both individually and collectively, frequently cling to a refusal or an inability to "digest life" as Hübl put it. Covid, for example, was a collective trauma which we did not digest fully, either at the time or since, and, as such, it was a "lost opportunity for harvesting learning". The avoidance of distress manifests as an inability to honour, let alone deal with and channel it, and is a mark of emotional immaturity that resists natural change, growth and transformation.

So, an overarching question is: How can we channel distress into care and action? The more aware we are of any distress we feel, and the more tools we summon to help us channel this distress, the freer we become to "release our burdens" and to choose to lead our selves from one present moment to the next.

As Hübl said several times during the summit, "Trauma is the inability to be present". Closely related is his profound statement: "Presence does not have an other". 

Hübl emphasised that each individual who practises self-leadership, and who has the tools to regulate their own nervous system, has a healing impact on the collective, even if that impact may not be obvious to themselves or others. This was corroborated by bestselling author Gabby Bernstein, who shared how she "wrote herself back into life" after her soul (her unconscious) made it impossible for her not to face the trauma, and its cloaking by shame, of sexual violation. She highlighted the fact that healing takes place "one person at a time".

My personal favourite session was the conversation between Hübl and Prentis Hemphill on 'The Transformative Power of Vulnerability', where 'power' was redefined as:

... openness: Can I be soft enough to listen to what is asked in any particular moment? When I receive you in myself, and our combined agency, power is the creation emerging between us. When both are willing to be fluid, ego steps back.

Hemphill issued the wish that she would want to it to become commonplace for humans to "help one another to shine". Again, the topic of discomfort came up, and that our capacity to be in the discomfort of the world, with all the pain it brings, equals our capacity to grow into our own ability to 'shine'.

"When I let the pain do its work, something changes in me," Hemphill, or Hübl, said. My notes do not indicate which one of these two remarkable people actually uttered those words in that moment, nor would either of them need to claim the quote for themselves, as both live it, have learned to engage with the process of working patiently with pain, whether individual, ancestral or collective, and to trust what emerges from it.

"Kindness at the heart of human beings is the medicine that brings us back home." This quotable quote emerged during the conversation between Kosha Joubert, CEO of the Pocket Project, and somatic practitioner Linda Thai, which touched on multiple levels of trauma, ranging from war (which Thai called "an over-exposure to death"), refugee experiences, the transgressive dissociation from nature (for example, when ancestral land is turned into property), to vicarious trauma due to "hyper-attunement" to the other - which can cause collapse of the self, flipping into existential nihilism or hopelessness. 

One talk I attended, with such hunger that I did not take any notes I can quote or refer to now, was the discussion between the two co-directors of Combatants for Peace, Rana Salman and Eszter Koranyi. Their revelations came as a trauma relief mission to me personally, as the two women represent an organisation that speaks my language and my own heart's truths, namely: There is another way.

I have been near to hopelessness in regard to the war in Gaza, having seen friendships break up around me because of it. In the fray of that I remember saying:

I stand for no flag, I stand for the naked human body. Between Israel and Palestine there lies this form in the sand, and I see it clear as clear with my mind's eye: a naked human body. Who will pick up that body and rescue it from the madness of violence?

After attending the Collective Trauma Summit, I see that this body is being held and nurtured, not only by Combatants for Peace, but by all who refuse a language of othering, who refuse a violating, blaming language, and choose, instead, a creative, courageous language: There is another way. That way does not avoid pain, it does not avoid discomfort, it does not avoid trauma, but faces them all, and chooses to grieve together with 'the other', to hear the other, to see the other, and so to heal the Self.

Then, life itself becomes a poem, becomes attuned to what we could call the poetry of being, and begins to sing.

The creative way




 




Tuesday, 5 November 2024

A dynamic state of peace

It is pouring loudly with rain. The clouds are united in a pure, white sky that has neither definition nor limits. Trees, bushes and pot plants are swaying, shaking and drooping, though the arum lily stands undaunted. The strings of rain are close together, there is unity, harmony in this hard, persistent dance. 

My mind's inner eye is occupied (literally). It is claimed by an image observed yesterday, outside my head, just like the rain today. It is an image of a family of Egyptian geese, led by the male, with Mom as the rearguard. 

Eight or nine goslings paddled for what they were worth through the windblown ripples of their home lake, keeping in perfect single file and so imprinting their live bodies into the 'duck(ling)s in a row', which now inhabit my head.

Once the parents had got them all safely to shore and, famished from their strenuous outing, they immediately began foraging in the grass, Dad raised himself to his full height, stretched and shook his splendid wings, pushing out his chest with its dark brown medal in a momentary posture of proud glory.

Mom had meanwhile flown to perch upon a railing to groom herself in private, as it were, taking some time out from the family.

* * *

In the aftermath of a sorrowful division between dear friends and fellows of mine (a situation which remains painfully raw and as yet unresolved), the undemarcated sky and rain, the disciplined little goslings and their steady parents offer an objective correlative to my inner state: I have taken a stance that is aligned with my heart, mind, body and soul. My friends know where I stand and, most importantly, I know where I stand.

Balance is a dynamic state of peace. I wish this for each individual member of my great and varied human family.

Photo: thanks to Ken Barris


Sunday, 4 April 2021

Towards breakfast, a flower

Oh, my dear God,
sweet Christ: who would believe
this estuary of us -
who is the river and who
the sound
of
the sea?

Longer than the count of years,
my life has been, and now
you lead me to this threshold -

saturated by peace, and crabs,
kingfishers, and fish,
and fishermen, and other birds.

Keep me here, my darling Lord,
thank you for bringing me through,
to talk with you, at this kind hour.

Before me now: two fishermen,
oaring musically
their small boat, stacked with rods,
towards breakfast.

Ah, this Flower,
singing
on the water!

- Silke Heiss



Sunday, 18 October 2020

Sacred vessels

It's a while now that I've not been attending to this blog as regularly as would fulfil me.

When the blogsite was kindly set up for me, it was announced on my website as

a space where Silke dreams her dreams, speaks her mind, shares her journey and sometimes disappears from - a sign that she's enjoying her solitude.

A lovely disclaimer, "enjoying her solitude".

But my infrequent blogs these months have not been due either to enjoyment or solitude; they have been due to a heavy heart that will not speak.

Way back (nearly forty years ago), a fellow at my old school gave me a note, on which was written:

To understand people, you have to be able to hear what they are not saying. What, perhaps, they will never be able to say.

I did not understand why he gave me the note and I don't remember him telling me why he did. At the time I assumed he was sharing something of his own, painful silence, but now I wonder whether he sensed something about me instead?

There is much focus, in this time, on truth, exposure of lies, on revelations, clearing blockages and festering obstacles on all kinds of levels - economic, political, social, racial, spiritual and psychological.

All through this time now, my heart feels strained, broken, aching, sometimes panicky.

A heart is a place of very few, choice words.

Perhaps the only words that can be at home in a heart are 'I love you', and variations thereon.

Those words and their variations fulfil the purpose of words as cups of mystery, cups filled with the elixir of a kind of pure existence: I am, you are, we be, and how strange and lovely is that.

It may be age, it may be the slings and arrows of outrageous fortune - whatever it is, there is great, urgent, profound and uncompromising need, in the heart writing this, to retreat. To be a leaf, melting gradually into its own ungreening.

Writing these words give ease. The metaphor conveys me into the foliage my soul needs.

I am no longer strong enough for any other kind of habitat, other kinds of words.

Living in peace is possible (for me) only when words are respected for the sacred vessels they are.

Painted papyrus by Eva van Belle


 

Monday, 24 February 2020

No sense of farewell - reflections on the the launch of Sweet Nothings

The manager called to ask, "How many chairs shall we put out, and how would you like them placed?"
The waiter said, "We have created and printed a special menu for you."
Later I saw that he had pinned one onto a board and framed it in his own hand with coki hearts and curlicues.
Guests arrived, including some who had travelled far that day, and the reading began. The rain that had threatened to fall, restrained itself. No thunder disturbed the quiet event.
The gardener, whom I had invited, came on foot.
"I want to walk," he had said, when we'd passed by car and offered him a lift.
He sat all by himself: solitary and composed. When he had finished his meal, he rose and came over to thank me, before leaving.
The others ate and talked together. The owner of the establishment bought one book for himself and one to donate to the library. He asked me to inscribe it: To the people of Hogsback.

Back home, a poem appeared:

After the launch

We sit in the courtyard,
wind hisses through 
the oak trees' leaves,

our voices lift and  fall,
soft and full,
mingling for an evening
well-spent.

I also received a few kind messages, from dear friends, after the event:

"Beautiful evening ...
You sat in your chair like a queen:
Reigning over words
So serene."

"A lovely evening well-spent indeed. Thank you for the gift of the evening, and for the gift of your poetry."

"It was indeed an evening well spent! You managed the evening with style and warmth that we all could take into our beings forever with no sense of farewell."

Indeed. My heart carries all this wherever I go.







Thursday, 6 September 2018

Safe, Honeymoon Suite, Outeniqua Moon

I've been, yet again, spoiled by my friends, Christine and Peter Watt of Outeniqua Moon Percheron Stud Farm in Ruiterbos at the foot of the Robinson Pass. These pictures show a little of their sanctuary. The poem appeared this morning, following a visit to Shadowfax and Greystoke, the farm's two stallions.

Safe
Honeymoon Suite, Outeniqua Moon

Folds of light
stand to attention -
hold the festoon-blinds in place
so dawn can splice
their sleepy silk;

frogs' clickings sprinkle us;
everything is fat with rain -
the very air's drenched in dreams

tongued by the soft lips
of the stallions I spoke to;

their nostrils took in my glove,
their mouths told us
the future has remained -

it has survived into this morning's private gold -
safe from betrayal.

Shadowfax and Greystoke, the two Percheron studs at Outeniqua Moon

Shadowfax and Greystoke

The farmhouse

Shadowfax

Greystoke

Sunset last night