Showing posts with label Lewis Watling. Show all posts
Showing posts with label Lewis Watling. Show all posts

Sunday, 20 June 2021

A space for everyone

Dearest Hugh

Thank you for wanting to hear me read my poems and for introducing me to Off The Wall.
Thank you for encouraging me to write a verse novel and for publishing it - for involving me so closely with the bold experiment of serialising a contemporary verse novel. It was a superb experience!
Thank you for writing me a reference for a creative arts fellowship.

I wish I could have fulfilled your wish to publish The Griffin Elegy as a complete set.
I wish I could have fulfilled your wish to hear it more in performance.

Thank you, Hugh, for believing in my poetry.
Thank you for being a friend - a critical friend, a natural friend, a poetry friend.

Thank you for all your precious sms poems, which showed so plainly how woven into everyday life our poems are. 
For being kind to Norman, to the Eastern Cape poets, to different kinds of voices. 
For being so very supportive of Lewis - his five books would not have come about without you.
For inviting everybody to read in the language of their choice - from Sweden to Argentina and back home.
For giving a space to everyone - from pastors to bergies - at Off The Wall.

I was so happy when you and Julia found each other.
I have been sad to see you unwell and suffering. 
May you travel well, as your soul unfolds its further mysteries.

Love from
'Silkiness!' ... as you always, with a smile, called me, always, somehow, in a tone of surprise.




Thursday, 3 May 2018

First meeting

'twas good to get pics I've never seen from Norman's publisher, Jim Phelps of Echoing Green Press - taking me back to the day I first met Norman in the flesh: 18th October 2009, when he read from Triptych in Fish Hoek and to my joy gobbled the cheese sticks I had brought along.

Norman reads from Triptych 18/10/2009, Fish Hoek

Memory

Today
exactly a year ago
was our first meeting.

Over my hips I'd pulled my smoke-blue skirt;
over my breasts an old, pale pink knit-top
covered by cardigan;
my feet in Tsonga slip-ons -

altogether toned down,
I carried that basket of cheese sticks
you devoured.

I was afraid of my own insignificance,
so I avoided you immediately.

Finally, though, after kissing all the people I knew,
I had to turn
to the presence
of you
behind me.

You took my hand
in both of yours,
as if it were an honour -
oh, you were beautiful!

I looked neither up nor down, but
straight into your face
of lines touched everywhere by light,
and your loose hair a-tumble.
Surprised that you were
short and humble.

Then you gave your reading;
silent Jenny pointed lens;
Jim's wine turned to praise inside his mouth
as he besang your poems;
Izzie - in cow-patterend pants -
went on about life, and the past, and ja,
no, if you get off your motorbike
to actually write down the lines that come into your head -
I admire that, you know:
you must be the genuine thing.
Hugh quested -
'WhyTriptych?'
- while Peter, Paul, Lewis and me
sat round listening.

In front of everyone you bent
down to reach
your toes
- unselfconscious as an old elephant,
I thought (and later wrote) -

We mingled; spoke; I stared
at your shirt with words on it
- yours - Alchemy -
stared rudely through
to sense the leanness
of your middle region;

you said that Horus
- your email name -
is first flash of dawn -
and I wanted to say

so much that I didn't.
Paul and you exchanged books
- Dog Latin for Comeback -
you asked me, too, to sign,
so I scribbled 'Hello!'
beside the Bodhi Books logo
(designed out of the shadows
caught inside a photo) -
a small figure with inky arm and phallus greeting.

I offered you the last
cheese stick you took
saying, 'You're an angel.'
And I thought.,
'Well - at least I can make sticks
to feed a hungry man.'

- Yes. That is how
our story began.


(18th October 2010)


Norman, Paul Mason & me