My Story of Pentecost. A simple woman’s testimony

Dedicated to those who have done the greatest damage

I am a simple woman on whom the gift of language might be said to be largely wasted, really, since I cannot speak of worldly affairs, nor influence men to cease doing harm.

However, I am well able to articulate personal experience, and I have the ability to see, and make, connections between corporeal and spiritual, between mysterious and rational dimensions. This can be useful to readers.

So, I want in this story to testify, describe an event that happened in my body, for you to make of what you will.

It happened the Sunday before last, on the 8^th of June, at the Pentecost Service. I was in Hogsback and attended with a dear friend.

Boughs of pyrocanthus and red hot poker lilies leaned into the dressed stone walls on either side of the altar, and another cherished friend had created an arrangement of coaly roses which glowed over the food table in the vestibule.

Pastor Barry named all the instances of fire as they occur in the Bible, and his arms and words fanned the yellow, orange and red flames of that famous day when the Holy Spirit came to the disciples and all of us mortals on earth.

As I listened to him holding forth, both impassioned and humour-filled, I became aware of a fine, fierce, contrapuntal gust pushing itself up inside me, sitting at the end of a pew beside the scarlet carpet that runs down the middle of the little chapel’s nave. From the waters of my sacrum I could feel a slender, burning blueness ascending.

As he ended his sermon, the pastor encouraged us not immediately to chat outside with one another after the communion, but to be quiet for a bit and pay attention if God’s voice was wanting to come through to us. He emphasised that God has a unique way of reaching each one of us, tailored to each individual’s capacity and predilection.

Photo by Venti Views on Unsplash  (photo cropped by the author)

When the three friends who were sitting beside me rose for communion, I was obliged to get up too, to let them through, and, despite the confusion inside my body, I was pressed from behind by the parishioners moving all together to the pulpit. It was not my first time attending an Anglican service in this non-denominational chapel, and I cupped my hands deferentially to receive Christ’s body, a weightless white disc, and stepped towards another friend in the community, Helen, who was holding the tray of tiny glasses brimming with vermilion liquid, the sacred symbol of the gory story.

At that moment, the blue fire blew abruptly through my heart, it was a torch in my conscience, and a whisper that found its way past my lips.
“I can’t! I can’t!” I breathed, staring at Helen.
“It’s grape juice,” she replied reassuringly, but I stared and repeated, “I can’t!”
I dropped the pale white disc into a tray of ice that just happened to be there, and stepped outside, feeling clean and light. I was aware of how icy the air had suddenly turned and how cleanly it entered my lungs.

I went around to the front of the chapel, where some people were huddling in spots of watery sun while others took shelter in the vestibule. Serenely I joined in the eating and talking. The pastor approached me, my sudden refusal of the holy communion had not escaped him. He asked whether I was a Roman Catholic and when I replied in the negative he invited me to come and see him sometime, adding that he would pray for me. I must have looked nonplussed, for he added benignly,
“But it’s okay.”
That made sense to me and I echoed, “Yes. I know it’s okay.”

We ate, talked, and then carried, washed, dried and packed away the cups and plates and tiny glasses. It was close to twelve when we said good-bye and I drove back home soon thereafter.

The next day (Whit Monday, which in some countries is a public holiday) I caught up with an unfinished, online creative group process I was part of, which involved drawing rainbow labyrinths while connecting specific colours with specific sounds. The colour the group had reached that Sunday happened to have been red, and the associated sound was ‘ê’ (as in red). I selected my red oil pastel and drew the outer paths of my labyrinths while chanting ‘ê’. Then, without any forewarning from my Self, I took a paintbrush, loaded it with acrylic paint labelled ‘Vermillion’ and pulled paths up and down and across between my labyrinths, going in all four directions, and, again, a wind animated my body and I knew: this is my blood.

I became excited, inspired, and squeezed thick red paint from the tube onto my finger and drew my blood thickly over the paths the brush had made. As I did so, I was inhabited increasingly by lightness and joy, as if I were purifying my own soul, my blood and my bloodline. My memories clarified as I sang and I felt the weightless Christ, my own liberated Self, and a joy my body could not have before this. Because I had never been able to stop thinking of Mary, feeling sick at heart all my life about what she had had to endure. Because, you know, Jesus too was covered in vernix at birth, and Mary had to brush her nipple on his cheek beside his mouth so it would open for him to suck her milk. He was born to live with friends and food and go on nice long walks and plant almond trees and trellis vines and give her and Joseph grandchildren, not be crucified by envious men and lies!

I felt that Ruach had broken through historic deeps in my body, she had breathed me, leaped me over a bridge higher than that gruesome consecrated murder on the red and speechless earth. Oh Mary, Mary, is it you or I who’s quite contrary?

Rainbow labyrinths, process art by the author

 

So there you are. This is my Pentecostal record, personal, simple, a single simple woman’s tiny crystal of truth, dictating nothing, prescribing nothing. I will say this, though: we women don’t give birth so you can kill bodies, hopes, trust, dreams, aspirations, natural complexities, and simple, ordinary joys. If you want blood, serve wombs and birth, become a midwife. If you want redemption, then grow the balls to serve the Mysteries of Life.

I thank my friends; Pastor Barry Wittstock and the St Patrick’s Chapel community in Hogsback; and Chantell Dysel, each for your part in this story.

– Silke Heiss, June 2025

  

Four Feathers - Variations

1.

The wind is wild, the roses are beset by rust, the potholes are treacherously overflowing with water.

What is calling my heart? My mother's four bluejay feathers, carefully labelled, in a tiny plastic container?

Yes, it must be the bluejay feathers, which I extract, to place them onto my hand-carved stone eagle, together with the kingfisher feather Ed found in the garden.

2.

It is in such minutiae that many women find comfort, private rituals occupying a waking dreamscape, unconscious processes that flow through the embodied world. Processes that, in some ways, make, build and hold together the embodied world, which everyday life often seems to destroy or ignore.

The wind is wild, the roses are blooming despite the rust, most drivers steer carefully, pay attention to one another, swerve gracefully as baby rhino, pause, guess at the depth of the nothingness under the mass of small and large dots of water in the tar.

3.

Bluejays, I read, are a part of the crow family, intelligent, vocal, social, resilient and threatened. Who or what is threatening them is not said. It is understood without having to say it.

My mother conscientiously labelled the container in which she kept the feathers. A walk. Place, date, who she was with.

The wind is pausing. Resumes, with a bellow.

4.

Barbara gave me the stone eagle. She said it was from New Mexico, and that the carver's name was Peter. Little stripes of news, patterns of information, more than decorative. The limbic brain takes note, stores the stuff, as if these things were fragrances.

I suppose these lines follow the bluejay's feathers, compose themselves into a variation on them.

The rods of the bamboo chime add their opaque song.

Photo by the author

Free to be bitter

The season's grapefruits have brought much rapture. Whilst cutting them, they spray me, I am obliged to slurp the overflow before I can dare to prise segments of the flesh out with my fingers or a spoon. They have given the phrase 'to hold water' a whole new meaning!

My mother used to entice little me to eat grapefruit by disguising their bitter taste under a hilly topography of sugar, which immediately became wet and translucent as the crystals sank into the embrace of the juice.

My adult tongue, however, scorns such deceptions. Neither sugar nor milk in my coffee, please. I ward off colds and flu (including covid, by the way) with infusions of African wormwood, known also under the Afrikaans names Wilde els, or Bitterels. And oh, it is bitter - you just know it's good for you, equally as that legendary cleanser and healer, the bitter aloe.

Of course, the buds dispersed over your tongue, which hold your ability to taste bitterness, have an emotional and mental equivalent.

Bitter is the absence of God, of hope, of love and faith. This absence was felt even by Christ on the cross momentarily and is thus, surely, an emblem for the vital part it plays in human experience. 

Bitter it is to turn your eyes away from Christ on His cross, because you then immediately become aware of your own. Bitter purges me of sweetness as a disguise, it forces me to face the fact that, suddenly and inexplicably, my prayers ring hollow and my heart feels like a scar. Neither milk nor sugar please: my husband died, my mother is paralysed, my father has dementia, I've no stable income nor home, etc.etc.

Such a moment of darkness, if it extends, easily deteriorates into depression or resentment and so loses its medicine. (An excess of Bitterels will also make you sick and too much citrus gives you the runs.)

But if I treat the absence of God, the loss of connection with Beneficence (however you conceptualise it), as a living season of juicy grapefruit, the bitterness on my tongue reveals itself as a pearl and my heart-scar starts shimmering again! I can share the dawn with my beloved, and even with you, my reader!

Bitterness is a fast, a purge from safety and security, from harmony and confidence and trust. It frees you up, vaults you on. Just don't turn it into home, but see it as a spa. And let that metaphor hold water.

Adventures on the countdown

The widow messaged me. Because my book is available on Amazon, she thought I was abroad and was delighted to learn that I was, in fact, physically within her reach. She drove from Ngcobo in the Transkei to Hogsback and we met at The Edge Restaurant over coffee on the deck in the morning sun.

She honoured and humbled me by what she shared. Her story reminded me to keep my focus sharply on what is perhaps the second-most important thread in my book ... namely, that what happens in our physical (visible, tangible) life is a reflection of invisible activity in the spiritual realm. And that the elemental realm is literally animated by our imagination and our traditions.
(The first-most important thread is of course that love simply flows through apparently impermeable boundaries.)

The woman's quest, properly to balance the questions that are natural to reason against trust in her own intuition, is a quest I value - it mirrors mine.

My book is taking me on beautiful adventures. The first box of them is going down at a lovely pace as I post or hand-deliver copies basically every day. I thank all my supporters from the heart and wish the poems take you on the adventures your souls need.

The picture shows you the launch venue - the path leads through the back courtyard of The Edge Restaurant, and the roofed, windowed place is the Tin Shack (that's where the pizza oven is). It's not yet set up for the weekend's events - you will certainly be provided with seats when you attend the launch! To the left of the picture you can see just a touch of the local craft shop.

The frogs sang their love songs again last night and this morning, so it looks as if the earth and our spirits will once more be refreshed.