Showing posts with label experience. Show all posts
Showing posts with label experience. Show all posts

Thursday, 8 January 2026

Family lines, or: Alchemising lineage. A pair of personal tunes

One of the most primal ways in which fear is programmed into our cells is through language and stories. The songs, rhythms, idioms, parables and tales we hear as babies and toddlers shape our thinking and feeling bodies for a lifetime. That surely is a reason why Struwwelpeter and Noddy, for example, have been much debated and, to some extent, adapted as to their ‘suitability’ for our children and, by implication, our future. The writer Janosch even made attempts to re-write the Brothers Grimm stories, censoring or altering the crueller parts into more innocent or jovial fare.

A case can be made – as Clarissa Pinkola Estes does in Women who run with the Wolves, and as Robert Bly does in his engaging discussion of Iron John – that conflict, rendered symbolically in frightening and gruesome incidents, conveys an indispensable message to our souls (much as the figure of Satan does in the Bible). We need to be aware that life is not without challenges, conflict and, above all, the presence of evil, whether that evil be “banal” and perfectly everyday, or self-consciously gleeful, like Heath Ledger portrays the Joker.

It is my own position that the vital factor is not so much the presence of what is ugly, awful and unwelcome, nor how the ugliness is depicted, but the happy ending. Happy endings seek to redeem the greatest horrors, if not with saving grace, then at least with understanding. Certainly a story addressing children must end or resolve, if not to happiness, then at least to peace and order. If it leaves disturbing questions hanging, it will very likely harm an innocent mind. A writer with the desire to disturb the peace needs to use their discretion as to whose peace exactly it is they wish to destroy in the name of whatever cause.

Two common German rhymes I grew up with have repeated on me willy-nilly throughout many decades. One of them is a proverb, which, however silly one may deem it to be, runs in its groove at the sight of a spider, as follows:

Spinne am Abend                                Spider at evening

Erfrischend und labend                       Refreshing and inspiring

Spinne am Morgen                              Spider on the morrow

Bringt Kummer und Sorgen                Brings grief and sorrow

Now any experienced person will quickly realise that these idle, easy rhymes (in the original)  can only come from an addict, most likely an alcoholic, whose mood of happiness at sundowner time has given way by morning to a hangover, and the spider – that mistress of endless, intricate creation and renewal – is roped into the human’s tragic cycle of self-harm and lack of will. And language, that treacherous tool, is only too willing to bend to human weakness.

Being one of those ‘sensitive’ people who are condemned to misery because of other people’s carelessness with words and images, I found that the power of those lines continued to force me to feel fear and anguish whenever the sight of a graceful daddy longlegs in the early morning triggered the ‘poem’. It was not the arachnid I was afraid of, mind you, it was the ill-humoured human rhymes.

Until I decided to act. I wanted none of this grief and sorrow thrust on me by ‘good ol’ tradition’ anymore and altered the lines accordingly:

Spinne am Morgen                  Spider in the morning

Geschützt und geborgen         Protected and sheltered [It rhymes in the German]

I repeated this whenever I saw a spider, until my new rhymes became so entrenched as to be triggered in place of the old, sour lines, reminding me each time, with a small sense of triumph, of my own true desires.

The second groundbreaking transformation came only two days ago, in relation to a truly horrific song, which my mother used to sing to us blithely as a lullaby. It goes like this:

Maikäfer flieg                                      May beetle [cockchafer] fly

Der Vater ist im Krieg                         Father is in the war     

Die Mutter ist in Pommernland           Mother is in Pomerania           

Pommernland is abgebrannt                Pomerania is burnt down

Maikäfer flieg                                       May beetle fly

This horrible ditty, with its innocuous tune, was triggered for me when I returned the hand-embroidered Christmas tablecloth to the cupboard and tucked it in underneath the hand-embroidered birthday tablecloth. My birthday is in May, and my grandmother’s hands had once upon a time lovingly stitched May beetles (cockchafers), birch tree catkins, ladybirds and four-leafed clovers into the cotton fabric that was smoothed over the table with my candle and gifts each year.

Embroidered May beetle

A spoiled child was I, to be given so much! Indeed, the wars featured magnificently and unavoidably in the transgenerational, mostly silent pain of my family on all sides, not eased by the fact that there were intermarriages with French, British and Jewish individuals, and the merry little melody with its dark lines perfectly captured the bitter contrasts. Historically accurate though they may have been, by the time we slipped into the year 2026, their purpose seemed spent and their energy far from helpful.

The birthday table cloth.
Obviously I will only iron it when it comes out of the cupboard in May.

Again, I was gripped by a sudden urge to strengthen myself by means of linguistic alchemy. The mention of the Father and Mother figures in the May beetle song made me think of my parents as they are now – together in a home for people with dementia, both in nappies, my mother half-paralysed in a wheelchair for ... going on nine years in April. When she suffered her debilitating stroke, my father dropped his work, all future travel and research plans, and transformed himself from a pampered, tempestuous patriarch into a patient house husband and carer of his beloved wife. He learned to cook, took her on outings, wiped her bum, and generally ran the household as best he could at the tender age of 78. (Although I am the eldest daughter, I could not assist as I had been expected to do, as my husband was busy dying and I had to tend to him at the time.)

That was the one time in my life that I witnessed my mother eating with a hearty appetite! She put on so much weight with my dad’s dishes that we had to replace her kiddies’ wheelchair with an adult one. She’d been a pretty discontented wife all her life, and her frustrations had made her an expert at tiny, toxic remarks to and about my father, whose love she diligently kept at arm’s length, and whose retorts and behaviour in turn I leave it to you to imagine.

With my father’s self-engineered career change from award-winning physicist to devoted minder of my mother, she fell in love with him all over again, and her respect for him blossomed in a completely new way. Despite this, however, he never managed to upstage two rivals (whom he himself wisely never perceived as rivals), namely, Beethoven and the sun. Since her stroke, the sun is definitely my mother’s first love; as for Beethoven, he has always been the one she wants to be the first to greet her when she gets to heaven. Or wherever. She isn’t altogether sure about post-mortem geo- or celestiography, but that’s beside the point. She has always been touched by and grateful for my father’s goodwill and total absence of jealousy in this regard. I confess I have seen him just a little bit envious of her adoration of the sun every now and then. But let’s be bighearted enough as to let that pass.

My parents directly inspired my reconstitution of the May beetle song as follows:

Maikäfer flieg                                                  May beetle fly

Der Vater hat den Sieg                                    Father has the victory 

Die Mutter trinkt das Licht der Sonne             Mother drinks the light of the sun           

Beide haben ihre Wonne                                  Both are blissful, having fun

Maikäfer flieg                                                   May beetle fly

I wasn’t sure about the word “victory”, as it’s of course closely tied to violent conflict and war. I ran the lines by my sisters, who also felt that it was wrong. My youngest sister (she is seven minutes younger than my middle sister, as they are twins) – anyway, my youngest sister came upon this perfect solution:

Maikäfer fliege                                                 May beetle fly [above]

Der Vater hat die Liebe                                    The Father has the love

We are officially shedding the cruel karma planted through our soft ears into our bodies, and are literally singing a new song. I look forward to my birthday. It might take a lifetime to get to re-write ‘a harmless ditty’, but more’s the pity of you don’t!

My parents on their diamond wedding anniversary, in the sun, perusing their wedding album.


Diamond wedding anniversary outing.


Saturday, 16 August 2025

Wisdom #22

Christmas '23 my Beloved gave me a tiny notebook, with a condition.

"This is not for poems," he warned (possibly thinking of the mess of scribbles that make up my notebooks),"it's only for wisdoms."


I've a nose for limitations that yield good quarry, hence I surrendered with gladness. Whenever I came across words that seemed worthy of copying out by hand, another page was filled in my little book. In all this time, I have gathered a total of 32 wisdoms. I haven't nearly half-filled the book. 

Then, last Thursday, he sent me a link to a YouTube clip, which I listened to while doing the dishes a moment ago. The clip makes for pretty worthy listening at this time in human history. It triggered my memory of a wisdom I'd written in one of my journals at the time (November '24) – my very own wisdom, born from my own experiences of a lifetime, which I decided to jot down in my little book. When I was done and had dried my hands, I went and found what I had written down. This:

Wisdom #22

I simply cannot think in groups. I can feel in and with groups, but think only as an individual.

 Silke Heiss, 9th November 2024

C'est tout. That is all. All-important, I'd say without a moment's hesitation, at this horrific time of historic mass psychosis (this link leads to the same YouTube video* as the one above). 

A wisdom based on pure experience. And: won from closely, but closely observing my own mind over the many decades.


*If you want the video in shorthand, please refer to Silke's Wisdom #22. Most importantly, please apply the wisdom as a daily practice. Earmark this blog. Think for and by yourself alone. Practise it. Stand firm. It's f***ing hard and completely vital for the survival of the human being. 

Note: being. Not species. The human being is far, far more important than the human species, who are, as we can clearly see, not important in the least.


Thursday, 15 August 2024

An imaginary maiming

It came to me yesterday that it would be instructive to have all human beings' vocal chords removed and all human beings' hands cut off, or bound - temporarily. For a week, say.

Imagine a world where, for a brief moment in time, no human is able either to speak or to type, or write, or to manipulate any thing, least of all language.

If we all, but all, had voiceless, handless bodies, for a short period of time. (Those without sight, and those on crutches or in wheelchairs, could still use their hands for mobility, but not for communication.)

What kind of experience would that provide for our species?

Would we hear the fish singing? Could we sense the sap oozing up through wood into the leaves of trees? Would we perhaps flutter in natural sympathy with the fan of a seahorse's dorsal fin and shudder in bliss, with the feel of such fragility? We might grimace with rocks weathering salt winds, or totter with tiny calves looking for their mothers, who are crossing busy roads in dust storms.

I believe that such an experience could make the human heart become terrifically palpable inside each of our bodies. 

Pumping so much more than our own blood!


PS. Probably many of us would begin to dance.

PPS. Bullies and teasers would become identifiable pretty fast.

Monday, 14 January 2019

Your Depression ... footsteps of a grounded butterfly

I often hear in my mind Mandela's words I once saw quoted - "It's not what you are given, but what you make out of what you have, that is the difference between people."

My darling Norman suffered from clinical Depression. You could say that's what he HAD. And what he made out of it were the poems he promised to write from the moment he'd made that pact with himself in 1979 faithfully to record the moments as he experienced them.

When we met, I'd experienced what I suppose might have been diagnosed as Depression periodically in my life; Norman persuaded me to go onto anti-depressants during one particularly hellish year we had together. (It was hellish for reasons external to ourselves.) But overall it was a condition I've never had the humbleness of spirit to pay attention to either in myself or others.

It's as if, during this second year of grief, I'm being ferried through a deeper understanding of my late husband and his heartaches. That's how I see it, anyhow.

I don't know where it's leading. There's a weird, blind trust. I've not lost my footing ... the fact that I can put together an image such as the one below I'd like to believe is proof that, step by step, I am still going ... somewhere ... not forgetting that, unlike reserved and private and strong Norman, I am, I guess, willing to be 'weak', that is to say, receptive to the most unbelievably sound support among my friends and community ...

So please see this post not as a desperate cry for help on my part, but as just a cry, a cry that, by crying itself, IS its own help ... that is to say, an expressive demonstration of what you CAN DO even if you are totally DOWN ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 








   

Thursday, 15 November 2018

An extract from what is at this stage the opening poem of Section 6, 'Shaman', of Greater Matter

Story

Bumbling through the house
looking for
my next task

I turn
a corner
at a door, and almost

fall –
find my face just short of stuck in the paunch
of a giant –

the ogre
of
my Experience!

He glowers down at me.
Lucky the house
has such a high ceiling

(you can’t reach the spider webs
even with the longest
feather duster).

My heart is in my throat
and his huge, rough hand
is round my throat

squeezing tight –
what to do?
But before he squashes me completely

he says
I want your attention,
where do you have your dreams?

I point him to the bedroom
and nimble as a baboon
he ducks, moves slowly through the doors,

lumbers around all the corners
and then drops me,
sits beside me,

heavies my eyes
with his rough palm
and all

is darkness.
Days, weeks, months
the monster holds me hostage

to
his dreams,
and when I blink sometimes between his fingers when they shift

I see him changing –
blue and horned,
gold and maned, black and sleek

he myths the creatures
who once populated places
preceding Eden, even;

but again, again
he makes me
sleep ...

(Extract)

- Silke Heiss